Trylon Communications  - Volume I Issue 12
       

An Interview with Al Ries, co-author of "The Fall of Advertising & the Rise of PR"

Why advertise an unknown commodity? Why spend so much on advertising when most people don't believe the message? What good is a catchy and memorable advertisement if sales decline?

These are just a few of the thoughts raised by The Fall of Advertising & The Rise of PR (Harper Business, August 2002). Co-authored by Al Ries (along with daughter Laura), chairman of the Ries & Ries marketing strategy firm in Atlanta, Ga., The Fall of Advertising & The Rise of PR points out the key reasons why companies should look to establish products with PR rather than advertising, as well as evidence to support this theory.

The Scoop recently sat down with Ries, who worked in the advertising industry for three decades, to get some thoughts on theories found in his book, the current status of the PR and advertising industries, and ways companies can better utilize the two disciplines.

Q: What inspired you to write this book?

A: This is something we had been thinking about for a long time. I just talked to Forbes magazine about an advertising campaign that GM is launching telling people the quality has improved. The research showed GM has low quality cars so they're running a campaign saying, "Hey that's not true, our quality's improved." But you can't change minds with advertising and that's our point. Advertising is self-serving, so what you say about yourself lacks credibility - so advertising can't work on negative problems at all.

Q: In the book, you say advertising has become an art form. What does that mean?

A: We've had this problem time and time again over the years where a client says, "I have a problem" and we say, "You have a problem, but we can't do anything about it with advertising." The only thing you can do with advertising is try to find something positive in the mind and then focus the advertising on the positive side.

When the Beetle came out, (Volkswagen) didn't hire a photographer to take photos of the car. They said, "No, it's ugly, but it lasts a long time," and people believed it. People believed it was reliable, so they could say it was reliable. Again, here's where PR comes in. If we have a problem, we have to solve the problem. How do you solve the problem? You solve the problem with a medium that has credibility and that is PR.

Q: Going along with the idea of credibility, can you discuss your theory that PR is where a company should start instead of with an advertising campaign?

A: Advertising cannot solve the problems that most companies want solved. But what can is PR. Why? Because PR has credibility and advertising does not. That's the basis of the book. When you launch a new brand, you have no credibility, so why would you even read an ad about something you've never heard of? Most people take the position of, "Well if I haven't heard of it, then it can't be any good."

Q: In the book, you discuss the Budweiser "Whassup?" campaign and point out that despite its national popularity the ads did not help boost Budweiser's sales. Then, on the opposite end, you note that books that appear on Oprah Winfrey's book club see a surge in sales. What does this say about the difference between the power of advertising and PR?

A: (In the Oprah Winfrey case), we're just demonstrating the power of publicity and on the other hand, just because an advertisement gets famous, it doesn't necessarily make the product famous. The people that are involved in advertising, like the agencies, don't get credit for sales. If sales go up, the sales manager takes credit for that. Advertising agencies don't benefit from increased sales, but what they do benefit from is the publicity generated from a famous advertising campaign. The people that did the "Whassup?" campaign benefited tremendously from the awards they won and the publicity they got. They're rewarded by how famous the ads get so there tends to be a divorce between advertising and sales.

Q: Does it surprise you that more companies haven't embraced your theory of using PR first?

A: We have actually been pleased with the number of companies that have expressed interest in our ideas. We have given presentations to General Mills, Microsoft, and a number of other companies. So we've been pleased with the number of large companies that expressed an interest. They haven't changed how they launch a product or how they allocate advertising and PR dollars, but that's going to take a long time. When you're talking about advertising, something that's been around for a long time, and there's an established way of doing things, that's not going to change very rapidly.

Q: What's a happy medium between the use of PR and advertising?

A: I'm in favor of the cheerleading type of advertising where you're talking about ideas that most people already accept. In other words, most people believe Volvo cars are safer cars. So Volvo advertising should talk about the safety of the car because they don't have to convince people about the safety of the cars.

Q: What advice do you have for PR professionals reading this interview?

A: From the PR point of view, their biggest complaint is the budget idea. In company after company, advertising is given more money to work with, so PR has to sell that concept of being responsible for launching the brand. You can't launch a brand with PR using the kind of budgets most companies allocate for PR. It's just not enough money because PR has the reputation as being something that costs nothing.

The Fall of Advertising & The Rise of PR
Al Ries and Laura Ries
Harper Business
ISBN# 0-06-008198-8
Copyright: August 2002
Al Ries can be contacted through his Web site, www.ries.com

(Article reprinted from The Scoop, with permission from LexisNexis, original title "Interview with Al Ries, co-author of The Fall of Advertising & The Rise of PR ", by Joseph M. Walsh, media analyst, jbw237@aol.com.)